Monday, September 18, 2017

Your Players Want to Be John McClane

One of the keys I've noticed over the years I've been GMing to a truly great session, one that the players all love and talk about for years, is that you need to make them feel like John McClane from Die Hard. When I say Die Hard, I mean specifically that. Not the sequels. The original. Maybe two and three to some extent, but somewhere along the way - and that changes depending on whom you ask - the writers forgot what made Die Hard and John McClane work so well, and that essence is what you need to catch for a story line that will leave players grinning and going "Damn, that was awesome."

Friday, September 15, 2017

Discussion: Beginnings and the Tavern

This video got me thinking about how we begin our games, and how with a little work the classic beginning can also be the best beginning. I'm curious your thoughts on it as well. Also, if you're not checking out Matt Coleville on the regular, you should fix that.


Wednesday, September 13, 2017

Katabasis

Katabasis, also known as the Journey to the Underworld, is a key part of the Hero's journey that is often reflected in some way you know. It can be as obvious as Orpheus going into the literal underworld to save the person he loves, or more subtle such as Luke's turning himself over to the Empire in the hopes of restoring his father to the Light Side.

Odds are you've had some form of katabasis in your games somewhere along the way. I know I have. However, I've never done it intentionally, and while the Katabasis is meaningful I've never really played into what that could mean. It's something I'm toying with changing in the near future, but it's also worth talking about.

To make it simple, and per the Wikipedia article, Katabasis is done to reflect several things. First off, the nature of being able to go into the realm of the dead without being dead yourself is a sign of the hero's specialness. Then there is the act of returning. The quest fulfilled properly, the hero returns with something that makes them stronger be it an ally, a salve for their wounds, or just a bit of wisdom or knowledge to keep them going.

It's this final aspect most katabasis-esque events in my games have been missing. Yes, people have gone to the underworld, and usually with reason, but it wasn't special or significant in any particular way aside from just something they did. And then...and then there's Neil Gaiman's influence.

In the Sandman comic there is a volume where Dream and Delirium go on a trip to find Destruction. All three characters are more than gods if you haven't read the comics. They're the anthropomorphic personifications of concepts. At the end of the volume, one of Dream's enemies says that because of his quest he had sealed his own doom. Afterall, one does not seek destruction so willfully and return unscathed.

Combined, and I think katabasis could in a way make a hero 'more special' if special is defined simply as 'other than mortal.' The realms of the dead are not meant for the living, and the various realms are frequently jealous hoarders of what is theirs. The dead are also often depicted as hungry for life. So what happens when a group of adventurers travels to the underworld? What does the realm take as it's due tax? What do they have to leave behind? And what does that mean for the rest of the game going forward?

It's not much in the way of advice I suppose, but playing with concepts and themes is a good way to give more meaning to upcoming sessions or a game as a whole and make it deeper. If you've played with this theme, how did it go? How did it play out? Were you happy with the results?

Monday, September 11, 2017

Character Build: Story vs. Power

When it comes to building your character, how much mechanical power are you willing to sacrifice in order to match the story you have for your character?

It's an interesting question. A lot of places online tend to frown on people sacrificing story for power, but no one wants to end up with a character that can't pull their own weight when the chips are down right? And if you're being honest with yourself, it's pretty easy to bump that story to justify that powerful ability you'd love to grab and try out in the game.

Still, it does come up sometimes. How much do you sacrifice to keep your story together? How much of the group's power? Does the group's benefit factor in at all when making the build?

I find myself in this situation with my Dragon character in an l5R game. I recently hit Insight Rank 6, having just finished Mirumoto Bushi at 5 and am looking where to go. I've spent several hours looking through books and schools but nothing grabs. So what to do?

The question though is one I'm curious of in general. SOme characters are easy to work with mechanics, others harder, but when the choice comes down how much power do you sacrifice for story? How much story do you change for power? Where does your style sit?

Wednesday, September 6, 2017

Self Review: The Key To Improvement

Ask anyone, or look anywhere, about how to get good at any particular skill and you'll see a lot of the same advice: self review. This is no different with being a GM. However good - or bad - you are as a GM right now, you can improve and self-review is a big part of that. Today I want to talk about how it works, and I'll be giving examples from my recent D&D game where I killed the party cleric.

Tuesday, September 5, 2017

Late Posts This Week

I apologize for the lack of notice. This being Labor Day weekend is also move in weekend for the University I work at. Because of this I've been super busy and haven't had much of a chance to write any articles. Articles for this week are coming, they just may be delayed some.

Sorry for the inconvenience!

Friday, September 1, 2017

Discussion: Number of Guys

How many henchmen do your villains have to employ? How many baddies do the heroes have to cut through? Do they cut through 100s at a time, going through epic encounter after epic encounter? Or is it closer to maybe a dozen, perhaps 20 before the bad guy is out of people?

Which way you go can do a lot for the tone of the game. More realistic means fewer people, and that lets you dial things up slowly over time. More fantastic means more people, but that means you can risk ending up on the absurd if you're not careful.

Obviously it depends on the game,but even grittier games like L5R can disagree on if a Lord has a force of thousands, hundreds, or dozens and that heavily impacts the feel of the game.

So which do you prefer?